“You Can See Everything” has become the talk of the town, drawing massive crowds to theaters on its opening weekend without revealing too much about the storyline. The documentary, delving into the life of Elizabeth Holmes, the disgraced Theranos founder, raked in over $15 million in ticket sales during its debut weekend. This marked the second-largest opening weekend for a non-musical documentary in domestic box office history, trailing only behind 2004’s “Fahrenheit 9/11.” Despite having a limited release in just 855 theaters across Canada and the U.S., the film garnered critical acclaim.
Receiving overwhelmingly positive reviews, the documentary achieved a remarkable 99% fresh rating on Rotten Tomatoes and a 4.8 rating on Letterboxd, making it the highest-rated film in the platform’s history. As viewers flooded online platforms with glowing five-star reviews, the consensus praised the documentary’s captivating narrative and compelling storytelling.
Directed and produced by Nathan Fielder and Lance Oppenheim, “You Can See Everything” follows a film crew as they immerse themselves in the lives of Elizabeth Holmes, her partner Billy Evans, and their family, capturing moments leading up to Holmes’ impending prison sentence for fraud. Toronto film critic Teri Hart described the theatrical experience as riveting, with audiences leaning in, gasping, applauding, and laughing throughout the screening.
The documentary’s unconventional premise and the intriguing dynamic between Nathan Fielder and Elizabeth Holmes have drawn widespread attention. Known for his candid and provocative style, Fielder’s collaboration with Holmes on-screen has resulted in a mesmerizing portrayal. The film’s intense and unsettling interviews, reminiscent of Fielder’s distinctive approach on “Nathan for You,” challenge viewers to reflect on the nature of truth.
Distributed by A24, the same company behind several acclaimed films, “You Can See Everything” has further solidified A24’s reputation for collaborating with visionary filmmakers. As audiences grapple with the thought-provoking content, the documentary sparks discussions and prompts viewers to question their perceptions of reality. Hart commended A24 for its commitment to promoting originality and artistic vision in an industry often criticized for lacking innovation.
In conclusion, “You Can See Everything” stands out as a thought-provoking cinematic experience that leaves audiences with lingering questions and a desire for discourse. As viewers flock back to theaters, the film serves as a catalyst for engaging conversations and shared experiences, challenging conventional narratives and sparking curiosity among moviegoers.